The rain remembers its life as sea is a 12 minute choral piece sung to be along the shorelines of waters that make up the Great Lakes Watershed. The score is created through the sonification of bioacoustic data from the Great Lakes Watershed and the notation of hydrophone recordings of its waterways. The work takes the small acts extractions that are data and field recordings and reorders them as an offering to be given back to the water, sung in unison with it.

Connected by the hydrological cycle, all waterways are in dialogue. They are transient, constantly in motion, not limited by land or borders. By sitting with water’s movement and transmutation, I’ve learned a lot about history, local and global politics, and changing ecologies. Opposing the alienating, dehumanizing and violent systems of a world under the end-stage capitalist project requires not only collective action but necessitates a restructuring of the hierarchies and principles we live under. Through acts of listening and translating waterways, The rain remembers its life as sea demonstrates the urgency of this restructuring asking; what worlds can we build when we listen differently?

An excerpt of the work can be listened to here.

Photo by Tara Cooper, Willow River Park, Kitchener, ON.

The rain remembers its life as sea was created with the generous support of CAFKA for their 2025 biennale. The project was initially performed on the Grand River by Barbara Hankins, CJ Janzen, David Lacalamita, Jo El-Deek and Nuha Yousuf⁣ with the vocal arrangement and consultation by Eve Parker Finley⁣.